Oops! I meant to post this earlier this week, but my current writing project had other ideas. I’m just glad it released its grip before the con began.
Capclave did me proud this year: six panels, an autograph session and two readings. It all takes place Friday-Sunday, September 28-30 at the Rockville Hilton and Executive Meeting Center, Rockville, Maryland. I hope to see you there—and remember, the autographing session always has cake…
Friday
4 PM: Writing at Different Lengths
Panelists: Nancy Kress, Suzanne Palmer, Jean Marie Ward (M), Alyssa Wong
Writing at a short length vs. writing a novella or novel. What are the differences, if any, in how to approach the writing of a short story vs. the writing of a novel. (Eisenhower)
6 PM: Humorous SF
Panelists: Darrell Schweitzer, Alex Shvartsman, Jean Marie Ward (M)
It’s easy to name the funny fantasy books, but what about the funny SF books and short stories? For instance, Unidentified Funny Objects is an entire anthology of funny SF. (Truman)
10 PM: Writing on the Job
Panelists: Marilyn “Mattie” Brahen, Barbara Krasnoff (M), Hildy Silverman, Jean Marie Ward
Is it better for a writer to have a non-writing job to save his/her writing energies for fiction or to use writing skills to make a nonfiction living on the idea that any writing improves fiction writing? And when should you quit your day job? Hear writers discuss the relationship between their day job and their writing. (Washington Theater)
Saturday
1 PM: What Makes Alternate History So Compelling?
Panelists: Tom Doyle (M), J. L. Gribble, Bjorn Hasseler, Alan Smale, Jean Marie Ward
Alternate histories continue to proliferate, though in accordance with Sturgeon’s Law, most fail the plausibility test, the storytelling test, or both. Why do the what-ifs continue to fascinate us, and what makes a powerful story in this subgenre? (Truman)
3 PM: Broad Universe Rapid Fire Reading
Panelists: Jeanne Adams, Danielle Ackley-McPhail, Carol Ann Douglas, Jennifer Povey, Jean Marie Ward (M), Joan Wendland
Broad Universe is an international organization with the primary goal of promoting science fiction, fantasy, and horror written by women. Members will be doing readings from their own works. (Jackson)
4 PM: Middles
Panelists: Wendy S. Delmater, Andrew Fox, Nancy Kress, Jack Skillingstead, David Walton, Jean Marie Ward (M)
So now that you’ve started your story, how do you put meat on its bones? How do you develop plot and character at short fiction and novel lengths? How many Aristotelian unites can and should you violate in your story? (Washington Theater)
6 PM: Use of Mythology in SFF
Panelists: Tom Doyle, Michelle D. Sonnier, Jean Marie Ward, Steven H. Wilson, A.C. Wise (M)
There are a lot of different mythologies out there, with both similarities and differences. How do we incorporate and adapt them when writing our stories? Norse, Greek and Roman myths are the most common ones used in genre stories but are not the only mythologies out there. What’s acceptable to adapt and change, especially when using a mythology from a culture not one’s own. E.g. dragons in Europe and dragons in various Asian countries have quite different motives and personalities ascribed to them. (Washington Theater)
7:30 PM: Mass Autographing and Awards Ceremony
(Eisenhower) Ends at 8:55 PM
Sunday
1 PM: Reading
(Lincoln) Ends at 1:25 PM
3 PM: Superheroine to Wise Woman: Creating Powerful Female Characters
Panelists: Cerece Rennie Murphy, Michelle D. Sonnier, Jean Marie Ward, A.C. Wise (M)
What goes into creating strong, compelling female characters in fantasy worlds? Speculative fiction authors discuss how to approach elements such as world-building, magic, special powers, and plot when crafting a multi-dimensional character, and how to avoid the pitfalls of the “Mary Sue.” (Jackson)
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